Tori in a Blender

[Preamble: I don't think much of Blender, Launch or any of these other new CD magazines. They seem awfully skimpy, content-wise, and the smugger-&-hipper-than-thou attitude that both espouse is enough to make me play frisbee with their shiny CDs. But this issue of Blender is much better than an issue of Launch I reviewed for its Belly content a while back (e-mail me if you want that review).]

Anyway, here's my Blender review, from a Tori-fan perspective: 

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Blender - CD-ROM Entertainment Magazine for Windows & Macintosh
Volume 2.2

Cover story: What makes the Tick kick?
$9.95 (regularly $14.95; six issues for $29.95)
On sale until April 1st

http://www.blender.com 
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What's on it?

The featured topics this issue are musicians Tori Amos, Beck, Gwar, The Residents and Heather Nova, plus twenty-odd short album reviews with one or two sample songs. For non-music content, Blender features some (somewhat juvenile) interactive columns on sex, death, politics & religion (hockey); articles (with quicktime video) on actors Minnie Driver and Matt Frewer; a brief interview/chat with writer Harlan Ellison; as well as an unfortunate three-part cartoon, Refrigerator Johnny; some game reviews; and a section on The Tick (along with Aeon Flux, ReBoot and Earthworm Jim). I tried about half of the features, but I basically didn't pay much attention to the non-Tori content.

What did you think, overall?

Well, I was somewhat amused, but I was also somewhat... bored?... by the whole thing. As a whole, this CD-ROM (like most CD-ROMs) is somewhat slow and clunky, and while the graphics are nice (clearly an art department working overtime) and some of background music is good, the whole thing has a disposable feel. The five ads are distracting, when they show up and you have to click to get past them; and there's just not much depth to any of the sections.

And it's so self-important. The Features section has the tag-line, "in-depth, two-fisted digital journalism." Maybe if they wrote with something other than fists? And if this is in-depth, the world is in trouble. An average Rolling Stone article is twenty or thirty times deeper.

So what Tori content is there?

Okay, now we're getting to the part you're interested in. You find the "Features" button, and after clicking on it, you wait for a screen with several more buttons (chunk chunk chunk). It appears, the background music changes, and you note one of the icons is Tori's face, blinking in different colors. Point to the Tori icon, and the first hint of trouble comes along when you read the caption: "Insane? Inspired? You make the call!"

Undeterred, you click on the Tori button, and a few seconds later (chunk chunk chunk), you see a nice opening screen with a black & white photo of Tori, seated, wearing a very revealing outfit. Agent Orange begins to play. The close-up turns to color and pans back, as the words, "Tori Amos dropped in to the Blender studio the other day..." appear. Agent Orange continues to play. A quick dissolve, and then four buttons appear. "She had a few things on her mind. Here are four of them," says Blender.

That's when the third Agent Orange sample begins to repeat itself over and over. Let me show what that's like:

"Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and... Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and... Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and... Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and... Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and..." etc. etc. etc.
...this is a continuing theme of Blender. You definitely don't want to sit on any one page for too long, even if you are studying a photo, because the repeated music sample will quickly drive you insane.

Quick, click on one of the four buttons. How about the first one. Tori's face appears in a quicktime window on the right side of the screen, as a curtain rises. Here's what you see and hear:

Interviewer:
[off-screen] People ask you the same questions all the time?
Tori Amos:
[smiling] Yes.
Interviewer:
[laughing, flustered] Are there things you _don't_ want to talk about?
Tori:
[smiling] Yes. [Organ sound, beginning of a song.]
Interviewer:
Do you want to tell us what you don't want to talk about?
Tori:
[video doesn't match her lips] Oh my God, are you filming this? [Organ grows louder. Fade to next scene.]

[Tori, seated, not talking or singing, lights flashing on her face amid darkness. Song plays:]

Tori:
[singing] I knew a girl once
Her name was Karen Vim [spelling?]

[laughter from the audience, apparently Blender staff in the room; you catch glimpses of them later. Fade.]

[Tori, standing in a room in front of a cloudy blue sky backdrop, playing an electric organ; at last the video matches what we're hearing. It's hard to describe Tori's manner in this performance; it's somewhat sexual, free, uninhibited, spacey. She pulls at her shirt and runs her hand through her hair a lot. The handheld camera moves in and out.]

She put me in clothes
And showed those boys a film
[laughter]
I'm going to be a
A flesh-bitch honey woman

Yeah yeah yeah

[Song fades out, but not completely, and the interview resumes.]

Tori:
I like travelling. I mean wherever I am, I make it... I forage and I make it... [long pause] I don't know, my nest I guess.
Interviewer:
Hahnhh!

The curtain closes and suddenly the clip is over. You hear:

"Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and... Mr. Agent, yes, he's my favorite, and they don't understand, he's got palm oil...and...

Quick, the second button! I won't transcribe the other three movies here, but they continue exactly where the previous one left off. The same interview and song continue throughout, each interrupting each other. As the clips move along, random images and animations are inserted at different places. The handheld camera effect, combined with the jerkiness of Quicktime, make it all resemble some kind of acid trip.

(The videos are available separately on the CD-ROM, in the \Blender\Files directory. They're 5.8 mb, 5.8 mb, 10.1 mb and 13.4 mb respectively, all four in Quicktime format.)

The first thing that confuses me is that there doesn't seem to be any reason to break it up into four parts. They seem to run together. And why they've inter-mixed the song and the interview, I don't know. Post-modernism for its own sake, I suppose.

You do see altogether seven minutes of Tori, wearing a very revealing "seventies leisuresuit" (Blender's words), answering questions and performing this song. When you're done with the videos, you click on the Next button to take you to the final screen.

"As well as being a dab hand at the electric grand," writes Blender, "Tori is also huge on the internet." Hey, that's us! But Blender quickly glosses over any actual analysis of Internet Tori content:

"Planetheads throughout the world exchange gossip about her on a daily basis, and the question they're asking these days is 'Is she crazy or what?' Ms Amos certainly created an impression at Blender--there were times we thought she was literally going to burst out of her seventies leisuresuit--but crazy? You want the answers, you're going to have do the spadework yourself."

That's exactly what's written. End of article.

So much for hard-hitting, in-depth, two-fisted journalism. I have this crazy urge to ask, hey, is she crazy or what? Hmm, I guess they're right about us "planetheads" after all.

At the bottom of this final screen are two buttons. Choose quickly because otherwise you'll hear the fourth and final Agent Orange sample ("Underwater city") over and over.

The second of the two buttons takes you to a quick discography -- of just four entries (pictures of her three albums, plus the Crucify EP).

The first button takes you to a list of Websites. It's a little out of date -- some URLs listed here will get you a quick "404 Not Found," and Blender doesn't list the important new sites, such as Greg Burrell's T.O.R.I. or RDT's site. Some of the sites are listed more than once. (But I was quite pleased to be the fifth site listed; and I was tempted to give them a good review in exchange; but the more I use Blender, the less inclined I am to like it. See, you can't bribe everyone.)

So, should I buy it?

If you are a Tori completist, you may need to buy Launch. Whatever song it is she's singing in these four Quicktime movies (total running time of about seven minutes) -- I have no clue, I've never seen it or heard it before. It's very different from her usual work; it's more in the vein of the improvised "Whoomp! There it is" that she's done for radio appearances. I suspect this Blender song is improvised as well. Tori's live performance seems WAAAAY out there; and maybe it's the video quality, but her speech seems slurred, as if she was drunk or tripping. If you don't care about owning ABSOLUTELY-EVERY-TORI-SONG-IN-THE-WORLD, I'd skip it. It may be worth $9.95 for the song combined with the other features, but don't have high expectations.

Bugs? Hardware issues?

Blender is definitely buggy. Under Windows 95, the Quit button doesn't work, so closing Blender down involves rebooting your computer. (The system became unstable when I closed it externally with an End Task command.) The Blender logo in the upper right is supposed to give you a menu when you click on it, but in most of the sections, that doesn't work; you just hear a drum beat instead. And a couple of the video clips seems to be missing: following some links lead me to a dialog box asking for some file or another that couldn't be found (this happened twice in The Tick section).

Also, I don't know what sort of system Blender expects its audience to have; but on the system I used, a brand new, very vanilla Pentium 120 with a quad-speed CD-ROM, Soundblaster clone, and 32 megs of memory running Windows 95 -- a high-end system, even if the sound card is cheap -- the video is jerky and the audio has frequent drop-outs. The box lists Blender's requirements as being a 486 with 4 mb of free RAM (6 recommended); but I would hate to try Blender on such a system.

I suppose that technologically, the CD-ROM medium simply hasn't arrived yet; not until MPEG cards are standard components, anyway.

Better luck next issue, Blender.

[Back to Tori Amos Confessions]
E. Stephen Mack -- estephen@emf.net
Zeigen's Dilemma